Most of my work is grey. There is a drawer in the studio for the photographs that refused to be.
Most of my work is grey. There is a drawer in the studio for the photographs that refused to be — an orange tree, a cactus wall, a field turned red by infrared film.
A drawer of colour
I do not show them often. But every year I take them out and lay them on the table, because they remind me what the grey photographs are choosing not to say.
Pl. 02
An Index of Warmth
Alentejo, 2025
“The sea did not change. I did.”
— Field notes, fourth evening
Colour is information. Monochrome is a decision about which information matters.
Pl. 03
Study I
Alentejo
Pl. 04
Study II
Alentejo
The drawer is getting fuller. One day it may become a series of its own.
Tenoir
Colour
Process
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